Wednesday, August 27, 2008

Are We Done Yet?

Some young women think we don't need a woman president. Others think that
the whole feminist/women's movement is so over/unnecessary. Today in the
New York Times, Susan Faludi begs to differ:


http://tinyurl.com/5o49co

August 26, 2008
OP-ED CONTRIBUTOR

Second-Place Citizens

By SUSAN FALUDI
San Francisco

MUCH has been made of the timing of Hillary Clinton¹s speech before the
Democratic National Convention tonight, coming as it does on the 88th
anniversary of women¹s suffrage. Convention organizers are taking advantage
of this coincidence of the calendar &lsqauo; the 19th Amendment was certified on
Aug. 26, 1920 &lsqauo; to pay homage to the women¹s vote in particular and women¹s
progress in general. By such tributes, they are slathering some sweet icing
on a bitter cake. But many of Mrs. Clinton¹s supporters are unlikely to be
partaking. They regard their candidate¹s cameo as a consolation prize. And
they are not consoled.

³I see this nation differently than I did 10 months ago,² reads a typical
posting on a Web site devoted to Clintonista discontent. ³That this travesty
was committed by the Democratic Party has forever changed my approach to
politics.² In scores of Internet forums and the conclaves of protest groups,
those sentiments are echoed, as Clinton supporters speak over and over of
feeling heartbroken and disillusioned, of being cheated and betrayed.

In one poll, 40 percent of Mrs. Clinton¹s constituency expressed
dissatisfaction; in another, more than a quarter favored the clear insanity
of voicing their feminist protest by voting for John McCain. ³This is not
the usual reaction to an election loss,² said Diane Mantouvalos, the founder
of JustSayNoDeal.com, a clearinghouse for the pro-Clinton organizations. ³I
know that is the way it is being spun, but it¹s not prototypical. Anyone who
doesn¹t take time to analyze it will do so at their own peril.²

The despondency of Mrs. Clinton¹s supporters &lsqauo; or their ³vitriolic² and
³rabid² wrath, as the punditry prefers to put it &lsqauo; has been the subject of
perplexed and often irritable news media speculation. Why don¹t these
dead-enders get over it already and exit stage right?

Shouldn¹t they be celebrating, not protesting? After all, Hillary Clinton¹s
campaign made unprecedented strides. She garnered 18 million-plus votes, and
proved by her solid showing that a woman could indeed be a viable candidate
for the nation¹s highest office. She didn¹t get the gold, but in this case
isn¹t a silver a significant triumph?

Many Clinton supporters say no, and to understand their gloom, one has to
take into account the legacy of American women¹s political struggle, in
which long yearned for transformational change always gives way before a
chorus of ³not now² and ³wait your turn,² and in which every victory turns
out to be partial or pyrrhic. Indeed, the greatest example of this is the
victory being celebrated tonight: the passage of women¹s suffrage. The 1920
benchmark commemorated as women¹s hour of glory was experienced in its era
as something more complex, and darker.

Suffrage was, like Hillary Clinton¹s candidacy, not merely a cause in
itself, but a symbolic rallying point, a color guard for a regiment of other
ideas. But while the color guard was ushered into the palace of American
law, its retinue was turned away.

In the years after the ratification of suffrage, the anticipated women¹s
voting bloc failed to emerge, progressive legislation championed by the
women¹s movement was largely thwarted, female politicians made only minor
inroads into elected office, and women¹s advocacy groups found themselves at
loggerheads. ³It was clear,² said the 1920s sociologist and reformer
Sophonisba Breckinridge, ³that the winter of discontent in politics had come
for women.²

That discontent was apparent in a multitude of letters, speeches and
articles. ³The American woman¹s movement, and her interest in great moral
and social questions, is splintered into a hundred fragments under as many
warring leaders,² despaired Frances Kellor, a women¹s advocate.

³The feminist movement is dying of partial victory and inanition,² lamented
Lillian Symes, a feminist journalist.

³Where for years there had been purpose consecrated to an immortal
principle,² observed the suffrage leader Carrie Chapman Catt, her
compatriots felt now only ³a vacancy.²

Even Florence Kelley, the tenacious progressive reformer, concluded,
³Keeping the light on is probably the best contribution that we can make
where there is now Stygian darkness.²

The grail of female franchise yielded little meaningful progress in the
years to follow. Two-thirds of the few women who served in Congress in the
1920s were filling the shoes of their dead husbands, and most of them failed
to win re-election. The one woman to ascend to the United States Senate had
a notably brief career: in 1922, Rebecca Felton, 87, was appointed to warm
the seat for a newly elected male senator until he could be sworn in. Her
term lasted a day.

Within the political establishment, women could exact little change, and the
parties gave scant support to female politicians. In 1920, Emily Newell
Blair, the Democratic vice chairwoman, noted that the roster of women
serving on national party committees looked like a ³Who¹s Who² of American
women; by 1929, they¹d been shown the door and replaced with the compliant.
The suffragist Anne Martin bitterly remarked that women in politics were
³exactly where men political leaders wanted them: bound, gagged, divided and
delivered to the Republican and Democratic Parties.²

Male politicians offered a few sops to feminists: a ³maternity and infancy²
bill to educate expectant mothers, a law permitting women who married
foreigners to remain American citizens, and financing for the first federal
prison for women. But by the mid ¹20s, Congress had quit feigning interest,
and women¹s concerns received a cold shoulder. In 1929, the maternity
education bill was killed.

Meanwhile, male cultural guardians were giving vent to what Symes termed
³the new masculinism² &lsqauo; diatribes against the ³effeminization² that had
supposedly been unleashed on the American arts. The news media proclaimed
feminism a dead letter and showcased young women who preferred gin parties
to political caucuses.

During the presidential race of 1924, newspapers ran headlines like ³Woman
Suffrage Declared a Failure.² ³Ex-feminists² proclaimed their boredom with
³feminist pother² and their enthusiasm for cosmetics, shopping and
matrimony. The daughters of the suffrage generation were so beyond the
³zealotry² of their elders, Harper¹s declared in its 1927 article ³Feminist
&lsqauo; New Style,² that they could only pity those ranting women who were ³still
throwing hand grenades² and making an issue of ³little things.²

Those ³little things² included employment equity, as a steady increase in
the proportion of women in the labor force ground to a halt and stagnated
throughout the ¹20s. Women barely improved their representation in male
professions; the number of female doctors actually declined.

³The feminist crash of the ¹20s came as a painful shock, so painful that it
took history several decades to face up to it,² the literary critic Elaine
Showalter wrote in 1978. Facing it now is like peering into a painful
mirror. For all the talk of Hillary Clinton¹s ³breakthrough² candidacy and
other recent successes for women, progress on important fronts has stalled.

Today, the United States ranks 22nd among the 30 developed nations in its
proportion of female federal lawmakers. The proportion of female state
legislators has been stuck in the low 20 percent range for 15 years; women¹s
share of state elective executive offices has fallen consistently since
2000, and is now under 25 percent. The American political pipeline is 86
percent male.

Women¹s real annual earnings have fallen for the last four years. Progress
in narrowing the wage gap between men and women has slowed considerably
since 1990, yet last year the Supreme Court established onerous restrictions
on women¹s ability to sue for pay discrimination. The salaries of women in
managerial positions are on average lower today than in 1983.

Women¹s numbers are stalled or falling in fields ranging from executive
management to journalism, from computer science to the directing of major
motion pictures. The 20 top occupations of women last year were the same as
half a century ago: secretary, nurse, grade school teacher, sales clerk,
maid, hairdresser, cook and so on. And just as Congress cut funds in 1929
for maternity education, it recently slashed child support enforcement by 20
percent, a decision expected to leave billions of dollars owed to mothers
and their children uncollected.

Again, male politicians and pundits indulge in outbursts of ³new
masculinist² misogyny (witness Mrs. Clinton¹s campaign coverage). Again, the
news media showcase young women¹s ³feminist &lsqauo; new style² pseudo-liberation &lsqauo;
the flapper is now a girl-gone-wild. Again, many daughters of a feminist
generation seem pleased to proclaim themselves so ³beyond gender² that they
don¹t need a female president.

As it turns out, they won¹t have one. But they will still have all the
abiding inequalities that Hillary Clinton, especially in defeat, symbolized.
Without a coalescing cause to focus their forces, how will women fight a foe
that remains insidious, amorphous, relentless and pervasive?

³I am sorry for you young women who have to carry on the work in the next 10
years, for suffrage was a symbol, and you have lost your symbol,² the
suffragist Anna Howard Shaw said in 1920. ³There is nothing for women to
rally around.² As they rally around their candidate tonight, Mrs. Clinton¹s
supporters will have to decide if they are mollified &lsqauo; or even more
aggrieved &lsqauo; by the history she evokes.


Susan Faludi is the author, most recently, of ³The Terror Dream: Myth and
Misogyny in an Insecure America.²

------ End of Forwarded Message

Friday, August 15, 2008

Great Theater - Don't miss it!

Leonard Jacobs, Theater Critic for Backstage.com went to the Inernational Fringe Festival this week and had this to say about Ellen Snortland's play, Now That She's Gone



Barbro Snortland was an enigma, mostly an infuriating one, to her youngest daughter, Ellen, from the time Ellen was born, we learn, until Barbro's death in 2002. Now That She's Gone, however, is considerably more than a poignant and insightful recounting of the lives of a mother and daughter who never connected well.

Directed by John Mitchell, author-actor Ellen Snortland's script examines her tumultuous personal history as an attorney, a journalist, a recovering cocaine addict, and a stage practitioner, set against the backdrop of the American feminist movement of the 1970s and '80s — she is a baby boomer, after all. She also weaves in dramatic material regarding the one gift her mother gave her: an abiding appreciation for the Universal Declaration of Human Rights that Eleanor Roosevelt persuaded the United Nations, against all geopolitical odds, to approve.

At precisely 90 minutes, there are moments when you wonder if Snortland will succeed in knitting together the threads of her tapestry. When she does, it's a moment that's thrilling in its simplicity. Yes, Snortland does learn why her mother was the cold, laconic creature she was. No, it wasn't because the elder Snortland didn't want a third child — or three girls, for that matter. Detective work and intuition pay off for this performer in a family story beautifully brought to the stage.

Presented by EMP Theatricals as part of the New York International Fringe Festival at the SoHo Playhouse, 15 Vandam St., NYC. Aug. 12-22. Remaining performances: Fri., Aug. 15, 3 p.m.; Mon., Aug. 18, 7 p.m.; Fri., Aug. 22, 5:30 p.m. (212) 279-4488 or (866) 468-7619 or www.fringenyc.org.

http://www.backstage.com/bso/news_reviews/nyc/review_display.jsp?vnu_content_id=1003839288

Monday, August 11, 2008

Nerd Girls

Math. Science. Girls. Sexy. Its not very often that those four words are used together. There is, after all, a stereotype about math and science that that's for boys and men. And if a girl is interested in math or science they must be ugly and gross.

On July 18th the Today Show had a group of the Nerd Girls on the show - watch the clip here: http://today.msnbc.msn.com/id/25736678/

Spread it around. Nerd Girls are Hot!!!

Thursday, August 7, 2008

Your 2 minutes is worth $1.5 million for the Women of Somalia

The Somali Women’s Scholarship Fund sends Somali women to college in Somalia for one full year for only $1,000 each (including tuition and other expenses). The project is a partnership between the UN Development Program and 7 Somali Universities. Please learn more at www.undp-usa.org/somalia.
The Fund is currently participating in the American Express Members project. Now in its second year, the Members Project allows individuals to vote on which of the participating programs, like the Somali Women's Scholarship Fund, get $2.5 million in American Express® funding. Last year, Members Project participants helped provide clean drinking water to children all across Africa. This year lets support women in Somalia as they work to rebuild their nation and in the process make the world a safer place for all of us!
We need your help!
Please vote for the Somali Women's Scholarship Fund before August 31st by visiting: www.membersproject.com/project/view/RKUOAS.
You don’t need to be an American Express card holder; you can participate as a "guest user" to vote for this project.
Thanks so much for your help!!!

Tuesday, August 5, 2008

Tolerance - We sure need more of it


Carolyn Howard-Johnson was featured in the Pasadena Weekly last week. Her topic: tolerance. Here's some excerpts from the article:

Perhaps known best for her novel “This is the Place,” about the struggles of Mormon women in 1950s Utah, Howard-Johnson is faced with a barrage of questions every time the Mormon community surfaces in the public eye. Given the current American fascination with this enigmatic and often misunderstood Christian sect, Howard-Johnson answers a lot of questions.
“There is great misunderstanding about Mormons,” Howard-Johnson said. “And my book is about mainstream Mormon culture. It’s meant to promote tolerance rather than to disparage.”
In addition to “This is the Place,” Howard-Johnson has written “Harkening,” a collection of short stories from out-takes from her novel, and two how-to manuals on promoting books: “The Frugal Book Promoter” and “The Frugal Editor,” from which she teaches a UCLA extension class.
Growing up in Salt Lake City, Howard-Johnson said she did not always see the potential for her own literary success.
“My Dad was Mormon and my Mom was Protestant,” she said. “I came up with the idea for a book about Mormons when I was 18, but didn’t write it until I was 60. Back then, I didn’t realize that women could have both a family and a career.”
“In Utah there’s a lot of prejudice coming from both the Mormons and non-Mormons. And because of my parents’ different backgrounds, I could see both perspectives,” she said.

Rather than denounce any specific group, Howard–Johnson has forged a less specific — and less bloody — battle. She has declared her war on intolerance.
“Americans are generally bad at accepting people for who they are,” she said. “They constantly want to change people. I think that intolerance is what’s causing most of the problems in the world.” Always one to see both sides of an issue, Howard-Johnson added that even though Mormons have faced multifarious injustices from uninformed media, they are not blameless.
“When I was a child, one of my best friends, who was Mormon, said to me, ‘I can’t wait until you die so that you’ll know that what Mormons believe is true,’” she recalled.

Howard-Johnson was diagnosed with cancer when she was 55. At that time, she had not published any books. Before her illness, the only writing she had done was for magazines and promotional work for her family’s small, independent retail chain. “I think that one of the reasons that I got sick was that I wasn’t following my own star,” she said.
Within two years, Howard-Johnson wrote both “This is the Place” and “Harkening.”
But Howard-Johnson faced great difficulty in getting her books published. So, naturally, once she had succeeded in selling them, Howard-Johnson’s next pursuit was to write a how-to book about publishing.
Through her writing, Howard-Johnson strives for unity by pointing out the similarities among people.
“Combating intolerance has always been my biggest motivating factor,” she said. “I really think that we’d all be so much happier if we just got over it.”

You can read the whole article, Life's little banquets by clicking on the link:

http://www.pasadenaweekly.comcms_story_detail_life_s_little_banquets_6098


Saturday, August 2, 2008

Watch Women Fighting Back!

http://www.latimes.com/entertainment/news/tv/la-et-mexwomen2-2008aug02,0,5341947.story

From today's the Los Angeles Times -

Latin American audiences are glued to episodes of a TV show about abuses no longer endured.

It's the hit Latin American TV series "Mujeres Asesinas" (Women Assassins), a high-gloss revenge fantasy about the fury of women scorned that has become a major TV hit and a minor pop-culture phenomenon in certain Spanish-speaking parts of this hemisphere.

Loosely adapted from real-life crime stories, "Mujeres Asesinas" follows a fairly simple formula. In Mexico, viewers saw two episodes each week in which women are grievously wronged, usually by a man (father, husband, lover, "john"). Most of the female characters formerly were mild-mannered, long-suffering types. But they are transformed by the abuses they endure into hellions with telltale nicknames such as Patricia "Avenger," Martha "Suffocator" and Margarita "Poisonous."

Each of the segments builds to a gruesome climax, in which the crime is reenacted. Every episode also concludes with a moral coda stating what just deserts were reaped by their homicidal protagonists.

Predictably, "Mujeres Asesinas" has stirred talk in the Latin American media about whether it might incite women to commit more acts of revenge-fueled violence. What do you think? Let us know. Should men be afraid?

"We are a little macho in the Latin American world. And this is what is shown in all the chapters," - not the only place in the world!


Male and female fans of "Mujeres Asesinas" from as far away as China and Croatia are busily posting admiring comments about the series, along with their own personal tales of woe, on the show's official Facebook page. "A wounded woman would be capable of everything," one female fan wrote. "I believe that we are all disposed to fight." - Read "Beauty Bites Beast" and find out just how and why we should all know how to fight back (email us at pfield@5050Leadership.org with your credit card information and we'll send a copy right out to you - $20 plus $3.95 s+h

"In the end, violence within families or sexual abuse could be in all the world," said Leo Marker, the Mexican series' press director. "It's on all sides, not only in Latin America."